By McKay Jenkins
If the country as an entire throughout the Forties used to be midway among the nice melancholy of the Thirties and the postwar prosperity of the Nineteen Fifties, the South chanced on itself suffering via an extra transition, one certain up in a frequently violent transforming of its personal feel of heritage and neighborhood id. studying the altering nature of racial politics within the Forties, McKay Jenkins measures its influence on white Southern literature, background, and tradition.
Jenkins makes a speciality of 4 white Southern writers--W. J. money, William Alexander Percy, Lillian Smith, and Carson McCullers--to convey how they built photos of race and race kin inside works that professed to have little, if something, to do with race. Sexual isolation additional complex those authors' struggles with problems with identification and repression, he argues, permitting them to occupy an area among the privilege of whiteness and the alienation of blackness. even if their perspectives on race assorted enormously, those Southern writers' uneasy dating with their very own dominant racial staff belies the concept "whiteness" used to be an unchallenged, monolithic racial identification within the region.
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