By Thomas Swiss
New media poetry -- poetry composed, disseminated, and skim on pcs -- exists in quite a few configurations, from digital records that may be navigated and/or rearranged by means of their "users" to kinetic, visible, and sound fabrics via on-line journals and data like UbuWeb, PennSound, and the digital Poetry heart. in contrast to mainstream print poetry, which assumes a bounded, coherent, and self-conscious speaker, new media poetry assumes a synergy among people and clever machines. The essays and artist statements during this quantity discover this synergy's continuities and breaks with previous poetic practices, and its profound implications for the future.
By including new media poetry to the examine of hypertext narrative, interactive fiction, desktop video games, and different electronic paintings types, New Media Poetics extends our knowing of the pc as an expressive medium, showcases works which are visually arresting, aurally charged, and dynamic, and lines the lineage of recent media poetry via print and sound poetics, procedural writing, gestural abstraction and conceptual artwork, and activist groups shaped by means of emergent poetics.
Contributors: Giselle Beiguelman, John Cayley, Alan Filreis, Loss Pequeño Glazier, Alan Golding, Kenneth Goldsmith, N. Katherine Hayles, Cynthia Lawson, Jennifer Ley, Talan Memmott, Adalaide Morris, Carrie Noland, Marjorie Perloff, William Poundstone, Martin Spinelli, Stephanie Strickland, Brian Kim Stefans, Barrett Watten, Darren Wershler-Henry
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