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This monograph departs from conventional stories of nationwide cinema by means of accentuating the intercultural and intertextual hyperlinks among Malaysian movies and Asian (as good as eu and American) movie practices. utilizing cross-cultural research, the writer characterizes Malaysia as a pluralist society together with a multiplicity of cultural identities. Malaysian movie displays this impressive heterogeneity, quite obtrusive within the influence of the Indian and Hong Kong cinema.

Detailed analyses of a variety of Malaysian motion pictures spotlight their cultural complexities, whereas noting the strain among cultural inclusivity and ethnic exclusivity on the center of this cinema.

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