This publication applies the discourse of the so-called ‘spatial flip’ to renowned modern cinema, specifically the motion sequences of twenty-first century Hollywood productions. Tackling various spatial imaginations (contemporary iconic structure; globalisation and non-places; phenomenological wisdom of position; consumerist areas of commodity buy; cyberspace), the varied case experiences not just aspect the variety of the way within which motion sequences symbolize the problem of surviving and performing in modern area, but additionally display the constant traits of spatial appropriation and spatial manipulation that outline the shape. Jones argues that motion sequences dramatise the limitations and chances of house, delivering examples of radical spatial praxis via their depictions of spatial engagement, fight and eventual transcendence.
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