By Anne-Marie Scholz
Scholarly ways to the connection among literature and movie, starting from the conventional concentration upon constancy to newer problems with intertextuality, all include an important blind spot: a scarcity of theoretical and methodological recognition to edition as an historic and transnational phenomenon. This publication argues for a traditionally expert method of American pop culture that reconfigures the classically outlined version phenomenon as a kind of transnational reception. targeting a number of case stories- together with the movies Sense and Sensibility (1995) and The Portrait of a Lady (1997), and the classics The 3rd Man (1949) and The Bridge at the River Kwai (1957)-the writer demonstrates the methods tailored literary works functionality as social and cultural occasions in heritage and the way those develop into vital websites of cultural negotiation and struggle.
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